Sequential Ellison

Volume 1 Issue 101, July 1972, Marvel Comics ($0.20)

“Five Dooms To Save Tomorrow”

story/plot, Harlan Ellison; adaptation/script, Roy Thomas;
pencils, Rich Buckler; inks, Dan Adkins;
letters, Jon Costa; cover, Rich Buckler & Frank Giacoia
“Based on an original story ©1964 Harlan Ellison”

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Volume 1 Issue 88, May 1971, Marvel Comics ($0.15)

“The Summons of Psyklop (In The Grip of Psyklop, part 1)”

story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney;
letters, Shelly Lefreman;
cover, Sal Buscema and Jim Mooney

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2002, DC Comics (Hardcover Edition, $39.95, ISBN: 1-56389-828-4)

editor-collected edition, Nick J. Napolitano and Scott Nybakken; cover, Mike Mignola

“Funny Money”

story, Harlan Ellison; art, Gene Ha;
letters, Ken Lopez; editor-original series, Mark Chiarello and Valerie D’Orazio

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Issue 13, March 2001, DC Comics ($2.50)

“Funny Money”

story, Harlan Ellison; art, Gene Ha;
letters, Ken Lopez; editor, Mark Chiarello

Batman: Gotham Knights #13
editors, Matt Idelson & Bob Schreck; cover, Durwin Talon

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Issue 32, 1970, Warren Publishing

“Rock God”

story, Harlan Ellison; art, Neal Adams; cover, Frank Frazetta

Story based on the cover by Frank Frazetta

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Vol. 1/Issue 208, July 1984, Marvel Comics ($0.60)

“The Deadliest Night of My Life”

story, Harlan Ellison & Arthur Byron Cover;
pencils, David Mazzuchelli; inks, Danny Bulandi;
colors, Christie Scheele; letters, Joe Rosen;
editor, Bob Budiansky; cover, David Mazzuchelli & Bob Wiacek

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Vol. 1, Issue 209, August 1984, Marvel Comics ($0.60)

“Blast From The Past”

story, Arthur Byron Cover; “From An Idea By Harlan Ellison”;
pencils, David Mazzuchelli; inks, Danny Bulandi;
color, Christie Scheele; letters, Joe Rosen;
editor, Bob Budiansky; cover, David Mazzuchelli

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DC Comics, October 2004 ($2.50)

“Secret Behind The Stolen Super-Weapons”

story, Harlan Ellison; adaptation, Peter David;
art, Joe Giella; color, Steve Buccellato; letters, Rob Leigh; cover, José Luis Garcia-Lopez;
editor, Matt Idelson; associate editor, Nachie Castro

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Issue 567, October 1986, DC Comics ($0.75)

“The Night of Thanks But No Thanks”

story, Harlan Ellison; pencils, Gene Colan; inks, Bob Smith;
colors, Adrienne Roy; letters, John Costanza;
“Edited by Harlan’s chum Len Wein”; cover, Klaus Janson

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Marvel Comics

“The Summons of Psyklop (In The Grip of Psyklop, part 1)”

story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney; original cover, Sal Buscema and Jim Mooney

“The Brute, or The Brute That Shouted Love at the Heart of the World (In The Grip of Psyklop, part 2)”

story, Harlan Ellison; adaptation, Roy Thomas;
layout, Herb Trimpe; art, Sam Grainger; original cover, Herb Trimpe

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Marvel Comics

“Five Dooms To Save Tomorrow”

story, Harlan Ellison; adaptation, Roy Thomas;
pencils, Rich Buckler; inks, Dan Adkins; original cover, Rich Buckler & Frank Giacoia

(more…)

Marvel Comics

“The Summons of Psyklop (In The Grip of Psyklop, part 1)”

story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney; original cover, Sal Buscema and Jim Mooney

“The Brute, or The Brute That Shouted Love at the Heart of the World (In The Grip of Psyklop, part 2)”

story, Harlan Ellison; adaptation, Roy Thomas; layout, Herb Trimpe; art, Sam Grainger; original cover, Herb Trimpe

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1978, Last Gasp Eco-Funnies

story, Harlan Ellison; art/cover, Larry Todd;
introduction, Harlan Ellison, “A Note On How This Story Came To Be Written”;
afterword, Larry Todd, “And A Short Afterword From The Illustrator”

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Issue 1, March 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, and Anina Bennett; logo & publication design, Cary Grazzini

front cover, Michael Whelan;
story behind the cover, “Midnight In The Sunken Cathedral: Part Two”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Rachelle Menashe; letters, Sean Konot

Other credits after the break

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Issue 2, April 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

front cover, Leo & Diane Dillon; story behind the cover, “Anywhere But Here, With Anyone But You”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot

Other credits after the break

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Issue 3, May 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

cover, Sam Raffa; story behind the cover, “Pulling Hard Time”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Matt Hollingsworth; letters, Sean Konot

Other credits after the break

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Issue 4, June 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, and Anina Bennett

cover, Jane McKenzie; story behind the cover, “Chatting With Anibus”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot

Other credits after the break

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Issue 5, August 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

cover, Ron Brown; story behind the cover, “The Museum On Cyclops Avenue”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot

Other credits after the break

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February 1995, Dark Horse Comics ($4.95)

editor, Bob Schreck & Harlan Ellison; logo & book design, Richard Bruning

front cover, Stephen Hickman; back cover, Overton Loyd;
story behind the cover, “Midnight In The Sunken Cathedral: Part One”;
poster insert, Jil Bauman

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot

Other credits after the break

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Volume One, October 1996, Dark Horse Comics ($18.95, ISBN: 1-56971-210-7)

editors, Harlan Ellison with Bob Schreck, Anina Bennett, & Lynn Adair

front cover, Leo & Diane Dillon; inside front cover, Overton Loyd

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
colors, James Sinclair, Rachelle Menashe, Bernie Mireault, & Matt Hollingsworth; letters, Sean Konot

Other credits after the break

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Vol. 2, March 2007, An Edgeworks Abbey offering in association with Dark Horse Books ($19.95, ISBN: 1-59307-494-8)

front cover, Brian Bolland; based on a photo by Christer Akerberg/Sweden
editor, Diana Schutz; assistant editor, Dave Marshall

Interstitial Framing Sequences

“created and written by,” Harlan Ellison; art, Eric Shanower;
color, Dan Jackson; lettering, Sean Konot and Comicraft

Other credits after the break

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Issue 1, July 1996, Dark Horse Comics ($5.95, ISBN: 1-56971-169-0)
[aka Harlan Ellison’s Dream Quarterly Vol. 2, No. 1]

editor, Harlan Ellison, with Bob Schreck, Anina Bennett, and Diana Schutz; logo & book design, Cary Grazzini

cover, Terese Nielsen; story behind the cover, “The Lingering Smell of Woodsmoke”

Interstitial Framing Sequences

story, Harlan Ellison; art, Eric Shanower
color, Bernie Mireault; letters, Richard Starkings & Comicraft

Other credits after the break

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1985, Marvel Comics ($1.50

[Wolverine (pp 22-24)]

story, Harlan Ellison;
pencils, Frank Miller; inks, Bill Sienkiewicz;
cover, Arthur Adams

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Volume 1 Issue 140, June 1971, Marvel Comics ($0.15)

“The Brute, or The Brute That Shouted Love at the Heart of the World (In The Grip of Psyklop, part 2)”

story, Harlan Ellison; adaptation, Roy Thomas;
layout, Herb Trimpe; art, Sam Grainger;
letters, Artie Simek; cover, Herb Trimpe

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1982, Marvel Comics Group

cover, Bob Larkin

“The Summons of Psyklop”

story, Harlan Ellison; adaptation, Roy Thomas; pencils, Sal Buscema; inks, Jim Mooney

“The Brute That Shouted Love at the Heart of the World”

story, Harlan Ellison; adaptation, Roy Thomas; layout, Herb Trimpe; art, Sam Grainger

(more…)

Issue 4, 1970, Marvel Comics

“The Hulk In The Grip of Psyklop”

story, Harlan Ellison

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