Sequential Ellison

Issue 4, October 1978, Warren Publishing

“Mondo Megillah”

writer, “Alabaster Redzone” [unauthorized adaptation of “A Boy And His Dog”];
art, Alex Nino

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Insight Studio Group, July 2003 ($34.95, ISBN: 1-889317-17-9)

editor, Mark Wheatley; introduction, Frank Cho; cover, Al Williamson

“Along The Scenic Route”

story, Harlan Ellison; art, Al Williamson; art assist, Carlos Garzon;

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Volume Three, April 1978, Ariel Books/Ballantine Books ($6.95, ISBN: 0-345-27617-5)

editor, Thomas Durwood; editorial consultant, Armand Eisen; associate editor, Bruce Jones; cover, Barry Windsor-Smith

“Along The Scenic Route”

story, Harlan Ellison;
art, Al Williamson; art assist, Carlos Garzon

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Issue 1, 1972, Marvel Comics

editor, Roy Thomas; cover, Gil Kane and Tom Palmer [un-credited]

“Delusions For A Dragon Slayer”

writer, Gerry Conway; art, Syd Shores

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Science Fiction Graphic Novel #5, DC Comics, 1987 ($5.95)

art and adaptation, Marshal Rogers;
coloring, Chris Goldberg, Rene Reynolds, and Marshal Rogers; lettering, Todd Klein; editor, Julius Schwartz

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Issue 11, April 1982, Marvel Comics

editor, Stan Lee; consulting editor, Archie Goodwin; cover, James Fox

“Run for the Stars”

story, Harlan Ellison; art and adaptation, Ken Steacy

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Issue 4, Winter 1980, Marvel Comics

editor, Stan Lee; editorial director, Archie Goodwin; cover, Michael W. Kaluta

“Sleeping Dogs”

story, Harlan Ellison; art and adaptation, Ken Steacy;

Story is in black-and-white.

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Issue 6, June 1981, Marvel Comics

editor, Stan Lee; editorial director, Archie Goodwin; cover, Neal Adams

“Life Hutch”

story, Harlan Ellison; art and adaptation, Ken Steacy

Story is in black-and-white.

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Issue 1, March 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, and Anina Bennett; logo & publication design, Cary Grazzini

front cover, Michael Whelan;
story behind the cover, “Midnight In The Sunken Cathedral: Part Two”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Rachelle Menashe; letters, Sean Konot

Other credits after the break

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Issue 2, April 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

front cover, Leo & Diane Dillon; story behind the cover, “Anywhere But Here, With Anyone But You”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot

Other credits after the break

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Issue 3, May 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

cover, Sam Raffa; story behind the cover, “Pulling Hard Time”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Matt Hollingsworth; letters, Sean Konot

Other credits after the break

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Issue 4, June 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, and Anina Bennett

cover, Jane McKenzie; story behind the cover, “Chatting With Anibus”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot

Other credits after the break

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Issue 5, August 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

cover, Ron Brown; story behind the cover, “The Museum On Cyclops Avenue”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot

Other credits after the break

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February 1995, Dark Horse Comics ($4.95)

editor, Bob Schreck & Harlan Ellison; logo & book design, Richard Bruning

front cover, Stephen Hickman; back cover, Overton Loyd;
story behind the cover, “Midnight In The Sunken Cathedral: Part One”;
poster insert, Jil Bauman

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot

Other credits after the break

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Volume One, October 1996, Dark Horse Comics ($18.95, ISBN: 1-56971-210-7)

editors, Harlan Ellison with Bob Schreck, Anina Bennett, & Lynn Adair

front cover, Leo & Diane Dillon; inside front cover, Overton Loyd

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
colors, James Sinclair, Rachelle Menashe, Bernie Mireault, & Matt Hollingsworth; letters, Sean Konot

Other credits after the break

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Vol. 2, March 2007, An Edgeworks Abbey offering in association with Dark Horse Books ($19.95, ISBN: 1-59307-494-8)

front cover, Brian Bolland; based on a photo by Christer Akerberg/Sweden
editor, Diana Schutz; assistant editor, Dave Marshall

Interstitial Framing Sequences

“created and written by,” Harlan Ellison; art, Eric Shanower;
color, Dan Jackson; lettering, Sean Konot and Comicraft

Other credits after the break

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Issue 1, July 1996, Dark Horse Comics ($5.95, ISBN: 1-56971-169-0)
[aka Harlan Ellison’s Dream Quarterly Vol. 2, No. 1]

editor, Harlan Ellison, with Bob Schreck, Anina Bennett, and Diana Schutz; logo & book design, Cary Grazzini

cover, Terese Nielsen; story behind the cover, “The Lingering Smell of Woodsmoke”

Interstitial Framing Sequences

story, Harlan Ellison; art, Eric Shanower
color, Bernie Mireault; letters, Richard Starkings & Comicraft

Other credits after the break

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December 1978, Baronet Books/Byron Preiss Visuals ($8.95, ISBN: 0-89437-038-3)

editor, Byron Preiss; cover, Michael Whelan; cover design, Alex Jay

introduction, Harlan Ellison, “A Word From Harlan Ellison”;
introduction, Byron Preiss

Full credits after break.

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Vol 1 Issue 286, August 1984, Marvel Comics ($0.60)

“Hero”

writer, Bill Mantlo [unofficial adaptation of “Soldier”];
art, Sal Buscema & Kim DeMulder;
colors, Bob Sharen; letters, Jim Novak;
editor, Al Milgrom; cover, Brent Anderson

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November 1987, Comico ($11.95)

editor, Maggie Brenner; cover, Ken Steacy

Reprints, updates, and expands on stories, adaptations of Ellison’s Earth-Kyba War story cycle, that originally appeared in Epic Illustrated #4, 6, & 11.

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Issue 151, 1980, James Van Hise ($3.95)

“Basilisk”

art and adaptation, Bret Blevins;

“Soldier”

art and adaptation, Kerry Gammil

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Issue 1, 1991, Prestige Edition, NOW Comics ($4.95)

editor, Joan M. Weis; art direction, Patrick Williams; cover painting, Neal Adams

“Crazy As A Soup Sandwich”

story, Harlan Ellison; art, Neal Adams;
color, Cory; letterer, Patrick Williams

introduction, Harlan Ellison, “Riding The Daymare”
original story, Harlan Ellison, “Darkness Upon The Face Of The Deep”

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Issue 3, May 1975, Marvel Comics ($1.00)

editor, Roy Thomas; associate editor, Gerry Conway; cover, Michael Whelan

“Repent Harlequin, Said the Tick-Tock Man”

adaptation, Roy Thomas; art, Alex Nino

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NBM, 1989, ($8.95, ISBN: 0-312-03471-7)

“Eggsucker” / “A Boy And His Dog” / “Run, Spot, Run”

story, Harlan Ellison; art & cover, Richard Corben;
afterword, Harlan Ellison- “After Vic and Blood, Some Afterthoughts As Afterwords”

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Issue 1, October 1987, Mad Dog ($2.00)

“Eggsucker” / “A Boy And His Dog” Part One

adaptation, Harlan Ellison; art & cover, Richard Corben;
lettering, Diane Valentino; logo, Diane Valentino & Kevin Nowlan; editor, Jan Strnad

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Issue 2, February 1988, Mad Dog ($2.00)

“A Boy And His Dog” Part Two / “Run, Spot, Run”

story, Harlan Ellison; art & cover, Richard Corben;
lettering, Diane Valentino; logo, Diane Valentino & Kevin Nowlan; editor, Jan Strnad

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2003, iBooks / Edgeworks Abbey ($17.95, ISBN: 0-7434-5903-2)

“Eggsucker” / “A Boy And His Dog” / “Run, Spot, Run”

story, Harlan Ellison; art and cover, Richard Corben;
project editor, Howard Zimmerman; cover and interior design, Dean Motter

foreword, Harlan Ellison, “Latest Breaking News: The Kid and the Pooch”

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Issue 24, June 1954, EC Comics ($0.15)

editor, Al Feldstein; publisher, William B. Gaines; cover, Al Feldstein

“Upheaval”

based on the story “Mealtime” by Harlan Ellison; art, Al Williamson

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Issue 1, 1992, Millennium ($4.95)

“Shattered Like A Glass Goblin”

adaptation, Faye Perovich; art, Kelly Jones; color, Melissa Martin; cover, John Bolton

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