Recent NewsLimited Edition Print (200 copies)
art, Frank Miller
Signed/numbered print given out at a July 12,1986 Roast in Los Angeles.
Issue 4, October 1978, Warren Publishing
writer, “Alabaster Redzone” [unauthorized adaptation of "A Boy And His Dog"];
art, Alex Nino
Issue 27, May-June 1991, Absolute Entertainment Inc.
story, Harlan Ellison; illustrations/cover, Paul Chadwick
Artist Chadwick provides two paintings for Ellison’s story, one of which is also used as the cover. These two paintings were included in FPG’s 1995 Paul Chadwick trading card set.
Issue 479, March 1981, DC Comics ($0.50)
writer, Marv Wolfman; art, Carmine Infantino & Dennis Jensen;
cover, Carmine Infantino & Bob Smith;
Silver Fog, created by Harlan Ellison
Insight Studio Group, July 2003 ($34.95, ISBN: 1-889317-17-9)
editor, Mark Wheatley; introduction, Frank Cho; cover, Al Williamson
story, Harlan Ellison; art, Al Williamson; art assist, Carlos Garzon;
original Publishing unknown
writer, Harlan Ellison
Nine page essay on the comic art and writing of George Carlson, creator of the 1940′s comic Jingle Jangle Tales
1998, Krause Publications
editors, Don Thompson and Dick Lupoff
Nine page essay on the comic art and writing of George Carlson, creator of the 1940′s comic “Jingle Jangle Tales”
Vol. 3, Issue 31, December 2003, TwoMorrows Publishing
Ten page article reprinting Ellison’s original stories that became his Avengers and Hulk comics for Marvel in the ’70s. Features historical background by editor Roy Thomas.
Issue 44, April 1, 1984, Fantagraphics Books
writer, Bob Sodaro
Feature article on Daredevil #208, including interviews with Harlan Ellison and Arthur Byron Cover.
writer, Kim Thompson
Brief feature on other comic book stories by and adaptations of Harlan Ellison.
Issue 62, January 1, 1985, Fantagraphics
writer, Heidi MacDonald
Fake comic announcement in Amazing Heroes annual preview issue.
Originally planned: late nineties [1998/99(?)], DC Comics
writer, Harlan Ellison and Peter David; art, unknown
After he left Aquaman, writer Peter David mentioned that he and Harlan Ellison had talked about writing a storyline involving the Jack Kirby created Fourth World characters “Deep Six.” The story never got to an art or solicitation stage.
Volume Two, September 1977, The Morning Star Press/Ballantine Books ($6.95, ISBN: 0-345-27319-2)
editor, Thomas Durwood; publisher, Armand Eisen; designer, Bruce Jones; cover, Frank Frazetta
story, Harlan Ellison; illustrations, Richard Corben
An illustrated version of the “Vic and Blood” story “Eggsucker” featuring two original illustrations by later Vic and Blood artist Richard Corben. The illustrations later appeared in Vic and Blood: The Continuing Adventures of A Boy and his Dog (iBooks, 2003).
Ariel #2 also features illustrated stories and artwork by Ray Bradbury, Edgar Allen Poe, Ursula Le Guin, Michael Morcock, Frank Frazetta, Bruce Jones, Jeff Jones, and others.
Click Here to visit the Ariel #2 Art Gallery
Volume Three, April 1978, Ariel Books/Ballantine Books ($6.95, ISBN: 0-345-27617-5)
editor, Thomas Durwood; editorial consultant, Armand Eisen; associate editor, Bruce Jones; cover, Barry Windsor-Smith
story, Harlan Ellison;
art, Al Williamson; art assist, Carlos Garzon
Volume 1 Issue 101, July 1972, Marvel Comics ($0.20)
story/plot, Harlan Ellison; adaptation/script, Roy Thomas;
pencils, Rich Buckler; inks, Dan Adkins;
letters, Jon Costa; cover, Rich Buckler & Frank Giacoia
“Based on an original story ©1964 Harlan Ellison”
Volume 1 Issue 88, May 1971, Marvel Comics ($0.15)
story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney;
letters, Shelly Lefreman;
cover, Sal Buscema and Jim Mooney
Issue 237, 1971, DC Comics
story, Denny O’Neil; art, Neal Adams and Dick Giordano;
"From an idea by Berni Wrightson with an assist from Harlan Ellison"
1992, Topps
Essay was severely edited from a page down to a paragraph because of an attack on DC Comics and their attitude towards creator rights. Essay was later reprinted in the Comic Buyer’s Guide.
2002, DC Comics (Hardcover Edition, $39.95, ISBN: 1-56389-828-4)
editor-collected edition, Nick J. Napolitano and Scott Nybakken; cover, Mike Mignola
story, Harlan Ellison; art, Gene Ha;
letters, Ken Lopez; editor-original series, Mark Chiarello and Valerie D’Orazio
Issue 13, March 2001, DC Comics ($2.50)
story, Harlan Ellison; art, Gene Ha;
letters, Ken Lopez; editor, Mark Chiarello
Batman: Gotham Knights #13
editors, Matt Idelson & Bob Schreck; cover, Durwin Talon
Book 4, 1986, DC Comics ($2.95)
writer/artist, Frank Miller; inks, Klaus Janson;
color & visual effects, Lynn Varley; letters, John Costanza;
editors, Dick Giordano & Denny O’Neil
Harlan Ellison appears off-panel on pages 13-14 as an on-air guest during television coverage of a nuclear attack on Gotham.
1991, Underwood Miller
editor, Christopher Zavisa; cover, Bernie Wrightson
writer, Harlan Ellison
Retrospective on the comic art and illustration work of Bernie Wrightson.
1994, Comic Buyer’s Guide ($14.95, ISBN: 0-87341-286-9)
introduction, Harlan Ellison
essays by Peter David;
cover, Neil Gaiman; edited, Myra & Peter David
Collection of essays by Peter David, “Writer of Stuff,” and founder of the Friends of Ellison.
year unknown, Matrix Books
introduction, Harlan Ellison
editor, John Bell; cover, Ken Steacy
Price Guide and Bibliography of Canadian produced comic books.
Issue 1, 1972, Marvel Comics
editor, Roy Thomas; cover, Gil Kane and Tom Palmer [un-credited]
writer, Gerry Conway; art, Syd Shores
Vol. 1, Issue 23, December 2002, TwoMorrows Publishing
Fifteen page interview with Ellison, covering his history writing and reading comics.
Issue 3, Summer 1998, Profiles
Five page interview in Neal Adams issue. Interview covers Ellison’s various collaborations with Adams including “Rock God,” “Cordwainer Bird,” and “Crazy As A Soup Sandwich.”
Issue 1115, March 31, 1995, Krause Publications
interview, Maggie Thompson
Part 2 of 3 part interview promoting that ran through Hero Illustrated #21, Comic Buyer’s Guide #1115, and Sci-Fi Universe #7 promoting the launch of Harlan Ellison’s Dream Corridor.
Issue 103, Fantagraphics Books
Conversation between Stan Lee & Ellison
Issue 115, Fantagraphics Books
Coverage of Journal/Harlan Ellison vs. Michael Fleisher trial featuring transcripts of testimonies by Ellison, Jim Shooter, and Gary Groth.
Issue 53, Fantagraphics Books
Issue 57, Fantagraphics Books
Issue 65, Fantagraphics Books
Interviews with Harlan Ellison
Issue 1, October 1973, Marvel Comics ($0.40)
essay, Harlan Ellison; illustration, Basil Wolverton;
executive editor, Roy Thomas; editor, Marv Wolfman
An illustrated, humorous essay.
Issue 5, July, 1974, Marvel Comics
writer, Steve Gerber; artist, Robert Graysmith;
editor,
Parody of the Harlan Ellison created television series The Starlost.
Issue 32, 1970, Warren Publishing
story, Harlan Ellison; art, Neal Adams; cover, Frank Frazetta
Story based on the cover by Frank Frazetta
Vol. 1/Issue 208, July 1984, Marvel Comics ($0.60)
story, Harlan Ellison & Arthur Byron Cover;
pencils, David Mazzuchelli; inks, Danny Bulandi;
colors, Christie Scheele; letters, Joe Rosen;
editor, Bob Budiansky; cover, David Mazzuchelli & Bob Wiacek
Vol. 1, Issue 209, August 1984, Marvel Comics ($0.60)
story, Arthur Byron Cover; “From An Idea By Harlan Ellison”;
pencils, David Mazzuchelli; inks, Danny Bulandi;
color, Christie Scheele; letters, Joe Rosen;
editor, Bob Budiansky; cover, David Mazzuchelli
Issue 66, September 1992, Dark Horse Comics ($2.25)
writer/artist/cover artist, Paul Chadwick; art assist, Jed Hotchkiss;
lettering, Bill Spicer; editor, Randy Stradley
Concrete story which takes place at the Ellison Wonderland-like home of “Dwayne Byrd,” an Ellison homage.
Issue 2, August 1987, Malibu Comics ($1.95)
writer, R.A. Jones; art/cover, Butch Burcham; letters, Debbie Burcha
Ellison appears as himself, a friend to the main character.
DC Comics, October 2004 ($2.50)
story, Harlan Ellison; adaptation, Peter David;
art, Joe Giella; color, Steve Buccellato; letters, Rob Leigh; cover, José Luis Garcia-Lopez;
editor, Matt Idelson; associate editor, Nachie Castro
Issue 11, June 1987, Kitchen Sink Press
Features a one page text piece/review on the back cover by Ellison. [unconfirmed]
Science Fiction Graphic Novel #5, DC Comics, 1987 ($5.95)
art and adaptation, Marshal Rogers;
coloring, Chris Goldberg, Rene Reynolds, and Marshal Rogers; lettering, Todd Klein; editor, Julius Schwartz
Issue 567, October 1986, DC Comics ($0.75)
story, Harlan Ellison; pencils, Gene Colan; inks, Bob Smith;
colors, Adrienne Roy; letters, John Costanza;
“Edited by Harlan’s chum Len Wein”; cover, Klaus Janson
Issue 598, March 1989, DC Comics
writer, Harlan Ellison; art, Todd McFarlane
A brief text tribute by HE celebrating Batman’s 50th Anniversary, illustrated by the cover to Batman #423. Similar tributes appeared in Detective Comics #598-600 by a variety of comic artists and writers, and other non-comics figures such as Terry Gilliam, Thomas M. Disch, Eric Van Lustbader, Samuel R. Delaney, and Penn & Teller.
Originally planned: circa 2000, Marvel Comics
story, Harlan Ellison; art, John Romita, Jr.
Around the time Joe Quesada took over as Editor-in-Chief of Marvel Comics in mid-2000 there was some discussion of a possible “Dr. Strange” comic to be written by Harlan Ellison and feature art by John Romita, Jr.
1986, First Comics
introduction, Harlan Ellison
story & art, Eric Shanower
Part of a series of original graphic novels set in Frank L. Baum’s Land of Oz by writer/artist Eric Shanower.
Issue 11, April 1982, Marvel Comics
editor, Stan Lee; consulting editor, Archie Goodwin; cover, James Fox
story, Harlan Ellison; art and adaptation, Ken Steacy
Issue 4, Winter 1980, Marvel Comics
editor, Stan Lee; editorial director, Archie Goodwin; cover, Michael W. Kaluta
story, Harlan Ellison; art and adaptation, Ken Steacy;
Story is in black-and-white.
Issue 6, June 1981, Marvel Comics
editor, Stan Lee; editorial director, Archie Goodwin; cover, Neal Adams
story, Harlan Ellison; art and adaptation, Ken Steacy
Story is in black-and-white.
Marvel Comics
story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney; original cover, Sal Buscema and Jim Mooney
story, Harlan Ellison; adaptation, Roy Thomas;
layout, Herb Trimpe; art, Sam Grainger; original cover, Herb Trimpe
Marvel Comics
story, Harlan Ellison; adaptation, Roy Thomas;
pencils, Rich Buckler; inks, Dan Adkins; original cover, Rich Buckler & Frank Giacoia
Marvel Comics
story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney; original cover, Sal Buscema and Jim Mooney
story, Harlan Ellison; adaptation, Roy Thomas; layout, Herb Trimpe; art, Sam Grainger; original cover, Herb Trimpe
Issue 3, 1999, 6 Handed Press ($2.95)
Issue 4, 1999, 6 Handed Press ($2.95)
writer, T Campbell; art & cover, Jason Waltrip
Two issues of comic about group of Science Fiction/Fantasy/Comic Book Fans. These concern a conspiracy and murder plot at a Convention where one guest is Arlen Staranka, an acknowledge homage to Harlan Ellison.
1989, Rip Off Press ($2.50)
introduction, Harlan Ellison, “Smokey Considerations”
editor, Mark Bode; cover, Jay Kinney
Benefit comic for Larry Todd, Ellison’s collaborator on The Chocolate Alphabet.
Issue 26, December 1990, Apple Comics ($2.25)
outroduction, Harlan Ellison, “Finny Friends, Adieu, Toodle-oo: An Outroduction to Fish Police”
story and art, Steve Moncuse;
letters, Clem Robbins; editor, Hilary Hughes
The last regular issue of Steve Moncuse’s Fish Police. Harlan Ellison also wrote introductions for the Fish Police: Hairballs (1987) collection and Marvel Comics’ reprint of Fish Police #4 (1993).
Vol. 2, Issue 4, January 1993, Marvel Comics ($1.25)
afterword, Harlan Ellison, “Baited Secrets Of The Deep”
story and art, Steve Moncuse;
letters, L. Lois Buhalis; effects, Paul Nagy; color, Tom Vincent;
editor, Diana Schutz; re-editor, David Wohl
The fourth issue of Marvel Comics’ reprint of Steve Moncuse’ Fish Police, published in connection with the early-’90s animated television series. The afterword, “Baited Secrets Of The Deep,” is a slightly edited version of the introduction included in The Fish Police: Hairballs (Comico, 1987), where the main story in this issue first appeared in color.
October 1987, Comico ($9.95, ISBN: 0-938965-05-0)
introduction, Harlan Ellison, “Baited Secrets Of The Deep”
story and art, Steve Moncuse; letters, L. Lois Buhalis
color, Tom Vincent; effects, Paul Nagy; editor, Diana Schutz
Collection of issues 1 through 4 of Fishwrap Press’ Fish Police.
Early print ads for Fish Police also featured a promotional quote from Harlan Ellison. However it turned out that the quote was actually not from Ellison, but someone who had appeared in a California Comic Shop pretending to be him and praised the book. The praise got back to Moncuse and the quote was included in the ads.
Ellison later did comment positively on the book in print, along with writing the introduction to this book, an “outroduction” for Fish Police #26 (1990), the last of the series, and an edited version of “Baited Secrets From The Deep” in Fish Police #4 (1993) the fourth issue of Marvel Comics’ reprinting of the series.
Issue 1, January 1988, Viz
introduction, Harlan Ellison
Issue 10, December 1993, Milestone Comics ($1.50)
writer, Dwayne McDuffie; art, Rich Buckler & Prentis Rollins;
painted color, Jason Scott Jones (as J. Scott J.), Prentis Rollins; letters, Dave Sharpe;
cover, Denys Cowan & Jimmy Palmiotti
Introduces the character Harm. Character and story title suggested by Harlan Ellison,
1978, Last Gasp Eco-Funnies
story, Harlan Ellison; art/cover, Larry Todd;
introduction, Harlan Ellison, “A Note On How This Story Came To Be Written”;
afterword, Larry Todd, “And A Short Afterword From The Illustrator”
Issue 1, March 1995, Dark Horse Comics ($2.95)
editor, Bob Schreck, Harlan Ellison, and Anina Bennett; logo & publication design, Cary Grazzini
front cover, Michael Whelan;
story behind the cover, “Midnight In The Sunken Cathedral: Part Two”
story, Harlan Ellison; art, Eric Shanower;
color, Rachelle Menashe; letters, Sean Konot
Other credits after the break
Issue 2, April 1995, Dark Horse Comics ($2.95)
editor, Bob Schreck, Harlan Ellison, & Anina Bennett
front cover, Leo & Diane Dillon; story behind the cover, “Anywhere But Here, With Anyone But You”
story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot
Other credits after the break
Issue 3, May 1995, Dark Horse Comics ($2.95)
editor, Bob Schreck, Harlan Ellison, & Anina Bennett
cover, Sam Raffa; story behind the cover, “Pulling Hard Time”
story, Harlan Ellison; art, Eric Shanower;
color, Matt Hollingsworth; letters, Sean Konot
Other credits after the break
Issue 4, June 1995, Dark Horse Comics ($2.95)
editor, Bob Schreck, Harlan Ellison, and Anina Bennett
cover, Jane McKenzie; story behind the cover, “Chatting With Anibus”
story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot
Other credits after the break
Issue 5, August 1995, Dark Horse Comics ($2.95)
editor, Bob Schreck, Harlan Ellison, & Anina Bennett
cover, Ron Brown; story behind the cover, “The Museum On Cyclops Avenue”
story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot
Other credits after the break
Issue 6, September 1995, Dark Horse Comics
Solicited but canceled. The contents of this issue became Harlan Ellison’s Dream Corridor Quarterly.
Issues 2 and beyond, 1995/96, Dark Horse Comics
No further issues were solicited beyond issue 1 of Harlan Ellison’s Dream Corridor Quarterly.
Artists, such as Paul Smith, had been mentioned, both in the press and privately, as potentially working on stories and Jan Strand mentioned on his website that he and Richard Corben would be adapting the story “The Man in the Juice Wagon.” This story would eventually see print in Harlan Ellison’s Dream Corridor Vol. 2.
February 1995, Dark Horse Comics ($4.95)
editor, Bob Schreck & Harlan Ellison; logo & book design, Richard Bruning
front cover, Stephen Hickman; back cover, Overton Loyd;
story behind the cover, “Midnight In The Sunken Cathedral: Part One”;
poster insert, Jil Bauman
story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot
Other credits after the break
Volume One, October 1996, Dark Horse Comics ($18.95, ISBN: 1-56971-210-7)
editors, Harlan Ellison with Bob Schreck, Anina Bennett, & Lynn Adair
front cover, Leo & Diane Dillon; inside front cover, Overton Loyd
story, Harlan Ellison; art, Eric Shanower;
colors, James Sinclair, Rachelle Menashe, Bernie Mireault, & Matt Hollingsworth; letters, Sean Konot
Other credits after the break
Vol. 2, March 2007, An Edgeworks Abbey offering in association with Dark Horse Books ($19.95, ISBN: 1-59307-494-8)
front cover, Brian Bolland; based on a photo by Christer Akerberg/Sweden
editor, Diana Schutz; assistant editor, Dave Marshall
“created and written by,” Harlan Ellison; art, Eric Shanower;
color, Dan Jackson; lettering, Sean Konot and Comicraft
Other credits after the break
Issue 1, July 1996, Dark Horse Comics ($5.95, ISBN: 1-56971-169-0)
[aka Harlan Ellison's Dream Quarterly Vol. 2, No. 1]
editor, Harlan Ellison, with Bob Schreck, Anina Bennett, and Diana Schutz; logo & book design, Cary Grazzini
cover, Terese Nielsen; story behind the cover, “The Lingering Smell of Woodsmoke”
story, Harlan Ellison; art, Eric Shanower
color, Bernie Mireault; letters, Richard Starkings & Comicraft
Other credits after the break
Vol. 1, Issue 8, November 1977, Metal Hurlant ($1.50)
editor, Sean Kelly, Valerie Marchant; cover, George Proctor
writer, Harlan Ellison; art, Tom Barber
Issue 21, March 1995, Warrior Publications
interview, Maggie Thompson
Part 1 of 3 part interview promoting that ran through Hero Illustrated #21, Comic Buyer’s Guide #1115, and Sci-Fi Universe #7 promoting the launch of Harlan Ellison’s Dream Corridor.
Issue 22, April 1995, Warrior Publications
Featured comments by Ellison on issue 3 of Dream Corridor
1985, Marvel Comics ($1.50
story, Harlan Ellison;
pencils, Frank Miller; inks, Bill Sienkiewicz;
cover, Arthur Adams
December 1978, Baronet Books/Byron Preiss Visuals ($8.95, ISBN: 0-89437-038-3)
editor, Byron Preiss; cover, Michael Whelan; cover design, Alex Jay
introduction, Harlan Ellison, “A Word From Harlan Ellison”;
introduction, Byron Preiss
Full credits after break.
Issue 1, 1992, Kitchen Sink Press ($3.95)
introduction, Harlan Ellison;
afterword, Neil Gaiman
cover, Rich Larson & Steve Fastner
A benefit book for Omaha the Cat Dancer creator Reed Waller during his fight with colon cancer. Features pin-ups and short stories by a variety of writers and artists from mainstream and underground comics. Creators donated their royalties to a fund, and Kitchen Sink matched the amount.
Volume 1 Issue 140, June 1971, Marvel Comics ($0.15)
story, Harlan Ellison; adaptation, Roy Thomas;
layout, Herb Trimpe; art, Sam Grainger;
letters, Artie Simek; cover, Herb Trimpe
Vol 1 Issue 286, August 1984, Marvel Comics ($0.60)
writer, Bill Mantlo [unofficial adaptation of "Soldier"];
art, Sal Buscema & Kim DeMulder;
colors, Bob Sharen; letters, Jim Novak;
editor, Al Milgrom; cover, Brent Anderson
1982, Marvel Comics Group
cover, Bob Larkin
story, Harlan Ellison; adaptation, Roy Thomas; pencils, Sal Buscema; inks, Jim Mooney
story, Harlan Ellison; adaptation, Roy Thomas; layout, Herb Trimpe; art, Sam Grainger
Originally planned: 2003, DC Comics
Dr. Fate story, Harlan Ellison; art, never announced
JSA All Stars was a mini-series featuring the modern-day incarnation of the Justice Society of America. Each issue featured a main story featuring one of the “legacy” characters, modern characters like Mr. Terrific who shared a name and theme with a classic, golden age character. Each issue also featured a back-up story, by a variety of writers and artists, featuring the golden age version of the character. As originally announced, Harlan Ellison would write the back-up story featuring Dr. Fate. Unfortunately, schedules did not work out and the story was assigned elsewhere.
Update: October 1, 2002 — All DC Comics books, cover dated 2002, featured a news/hype page called “DC In Demand.” A rumor/future project hype column on that entiled “What’s This, You Say?”, and credited to “Your Mole at 1700″, contained the following tidbit:
I mean, I’m not supposed to talk, but… …[hints of new Elric comic series by Michael Morcock and Walter Simonson and a Dr. Fate mini-series] … Or that the JSA will heat up further in another series with contributions by Harlan Ellison, Kevin J. Anderson, Michael Chabon, and other big names?
No Further info was given at that time.
Update: October 3, 2002 — Wow. That was quick. A few days after December cover dated DC Books went on the stand with the hint of an Ellison JSA story, the project was officially announced, without Ellison’s participation. The project, entitled JSA All-Stars, is an eight-issue mini-series concerning the modern day Justice Society of America. Issues 2 through five will feature a lead story starring one of the current JSA members, along with a back-up story about that heroes golden age equivalent. These back-up stories were to feature the all-star writer line-up mentioned previously. However, Ellison was no longer able to included among that line-up. According to the internet comic book news web-site Newsarama:
And while DC and writer Harlan Ellison were ultimately unable to work scheduling on a back-up story (as mentioned this month in the publisher’s new ‘DC on Demand’ information page), DC has still lined up an impression group of writers, including as promised a Pulitzer-prize winning author making this comic book debut…
In fact, the Pulitzer-prize winning author mentioned, Michael Chabon (The Amazing Adventures of Kavalier and Clay), was the only one of the three names mentioned in the DC In Demand article that was still attached to the project. For completists sake, and because it should still be a well written and drawn mini-series if you don’t mind the modern Justice Society team, here is the announced line-up of creators [lead story creators first; then back-up creators]:
No release date other than “next year” [2003] was mentioned.
Update: March 2004 — In an interview with Jon B. Cooke for Comic Book Artist #23 (Dec. 2002, TwoMorrows Publishing) HE mentioned some of his potential future comics work:
CBA: So you will occasionally continue to write comics?
Harlan: Oh, absolutely. I’m doing some right now. If I had not gotten involved in terrible, terrible, deadlines, I would have already finished a Doctor Fate I’m doing for [DC Comics editor] Peter Tomasi, that takes place back in 1940. In fact, it’s a story that takes place immediately after the banquet story in JSA Secret Files. But I was late with it, and he had to reassign it to someone else, so we have decided that we’re going to do… I can’t tell you exactly, but it will be a one-shot, killer project. A kind of dream of mine come true.
It appears that this was the story originally planned for the JSA All-Stars mini-series. No official announcements or further news has appeared since the interview.
Vol. 1, Issue 89, May 1971, DC Comics ($0.15)
writer, Mike Friedrich; art, Dick Dillon & Joe Giella;
editor, Julie Schwartz; cover, Neal Adams
Features a television writer from Ohio named “Harlequin Ellis,” who falls in love with Black Canary and after being rebuffed by Green Arrow has a series of dreams in which he takes revenge; dreams which become real.
September 1988, Image Comics/Homage Comics
introduction, Harlan Ellison
story, Kurt Busiek; art, Brent Anderson & Will Blyberg;
collection editor, John Layman; series editor, Jonathan Peterson; cover, Alex Ross;
Collection of Kurt Busiek’s Astro City Vol. 2 Issues 1-3 and 10-13, a creator-owned superhero series written by story, Kurt Busiek with art by Brent Anderson & Willie Blyberg and covers by Alex Ross.
A life-long fan of comic books, Harlan Ellison has written letters of comment, both criticism and support, to comic books over the past fifty or so years. This list is a small portion, most unconfirmed, of some of this correspondence.
Volume 14, 19XX, Kitchen Sink Press
editor, Dennis Kitchen; cover, Al Capp;
introduction, Harlan Ellison
Reprint of Li’l Abner comic strips from the year 1948, including a number of Shmoo strips.
Issue 1, 1990, Innovation ($2.95, ISBN: 1042-1584)
introduction, Harlan Ellison, “Roses In December”
written, Scott Rockwell; art, R.T. Schneider and Scott Rockwell;
letters, Tom Addis; cover, Scott Rockwell
An homage to George Carlson’s Jingle Jangle Tales, which Ellison discusses in his introduction as well as in his essay in the book All In Color For A Dime.
No Release Date Announced, Marvel Knights/Marvel Comics
writer, Harlan Ellison; art, Joe Quesada (rumored); editors, Joe Quesada & Jimmy Palmiotti
Rumored Silver Surfer story to be written by Harlan Ellison. The plot had been seemingly adapted to be a Dr. Strange story, said to be illustrated by John Romita, Jr., but unfortunately that project never happened either. Because plot is out-of-date with current Marvel continuity and Romita, Jr. has announced the Dr. Strange project, this is assumed dead.
Issue 4, 1970, Marvel Comics
story, Harlan Ellison
1993, Mark V. Ziesing Books (ISBN: 0-929380-31-7)
novella, Harlan Ellison; front cover/introduction, Frank Miller
Issue 1, June 1988, Midnight Graffiti Publications ($4.95)
story, Harlan Ellison; illustration, Moebius;
editor, Jessie Horstin, James Van Hise
(more…)
Issue 40, February 1988, DC Comics ($1.75)
writer, Marv Wolfman; art, Eduardo Barreto & Romeo Thanghal;
color, Adrienne Roy; letters, Albert De Guzman;
editor, Barbara Randall; cover, Eduardo Barreto
Return appearance of Silver Fog “created” by Ellison in Adventure Comics #479
#1, August 1994, Image Comics ($2.50)
writer/artist, Jim Valentino & Don Simpson; color, Gloria Vasquez
An appearance of a Ellison-like character as a part of a parody of the comic book industry.
Issue 28, 1976
article, Carter Scholz
Article on HE in the fanzine that would become The Comics Journal. Features two-pages of reviews & comment about Harlan Ellison.
1971, Various Editions
cartoons, Bill Rotsler; captions, Harlan Ellison
December 1988, Playboy Entertainment
writer, Harlan Ellison
Essay by Ellison on comics, renamed by editors
Issue 151, 1980, James Van Hise ($3.95)
art and adaptation, Bret Blevins;
art and adaptation, Kerry Gammil
Planned: 2000, DC Comics/Realworlds
writers, Harlan Ellison and Peter David; art, Paul Ryan; editor, Andy Helfer
A “Superman” story that was to be part of what became a four book series examining DC heroes and their impact on the “Real World.” The book was mentioned by Ellison in several interviews and mentioned in preliminary press announcements of the series. But when the series was finally solicited over several months in 2000 the “Superman” book included was not the Ellison/David/Ryan book.
1985, Eclipse
introduction, Harlan Ellison
story & art, Dave Stevens;
letters, Carrie Spiegle; color, Joe Chiodo with Bruce Timm, Brent Anderson, Scott Saavedra, and Jennifer Frank
1992, DC Comics/Vertigo ($29.95, ISBN: 1-56389-035-6)
introduction, Harlan Ellison
story, Neil Gaiman; art, Kelly Jones, Mike Dringenberg, Malcolm Jones III, Matt Wagner, Dick Giordano, George Pratt, and P. Craig Russell;
editor, Karen Berger; cover and design, Dave McKean
Introduction for the fourth collection of Neil Gaiman’s Sandman, collecting the “Seasons Of Mists” story from Sandman #21-28. Cover artist Dave McKean also creates an antique “portrait” of Harlan Ellison, along with all other creators, for the “biographies” section of the book.
Issue 68, October 1999, Image Comics ($2.50)
writer/artist, Don Simpson
A parody involving Harlan Ellison, by the artist/co-writer of normalman/Megaton Man.
Issue 7, June 1995, HG Publications
interview, Maggie Thompson
Part 3 of 3 part interview promoting that ran through Hero Illustrated #21, Comic Buyer’s Guide #1115, and Sci-Fi Universe #7 promoting the launch of Harlan Ellison’s Dream Corridor.
Issue 7, November 1989, Marvel Comics ($1.50)
writer/artist, John Byrne; interior inks, Bob Wiacek;
colors, Glynis Oliver; letters, Jim Novack; editor, Bobbie Chase
19XX, Last Gasp Eco-Funnies
Reprint collection of stories from Slow Death, an underground comic from the sixties and seventies, featuring art and stories by R. Crumb, Rand Holmes, Richard Corben, Gilbert Shelton, Jaxon, Greg Irons, and others.
1996, Aardwolf Publishing ($9.95, ISBN: 1-888669-01-2)
editor, Clifford Lawrence Meth & Ricia Mainhardt; cover, Gray Morrow
story, Harlan Ellison; illustrations, Gray Morrow
Issue 1 Anniversary Reprint, 1993, Mirage Press
introduction, Harlan Ellison
story & art, Kevin Eastman and Peter Laird
Issue 63, May (Spring) 1981, Fantagraphics Publishing, Inc. ($4.95)
editor, Gary Groth; assistant editor, Kim Thompson; cover, Wendy Pini
story, Harlan Ellison; illustrations, Gil Kane
Unproduced TV Pilot by Harlan Ellison, featuring three illustrations by Gil Kane.
Ken Vida Productions
narrator, Harlan Ellison; director, Ken Vida
Ellison narrates this videotape collection of artist profiles featuring Frank Miller, Dave Sim, Steve Ditko, Jack Kirby, and others.
Originally planned: early eighties (?), Fantagraphics Books (?)
writer, Harlan Ellison; art, Michael Kaluta
Rumored Shadow graphic novel to be illustrated by classic seventies Shadow artist Michael Kaluta. Never solicited.
For more information see The Comics Journal #54, 57, 61, and 82.
Issue 3, May 1975, Marvel Comics ($1.00)
editor, Roy Thomas; associate editor, Gerry Conway; cover, Michael Whelan
adaptation, Roy Thomas; art, Alex Nino
NBM, 1989, ($8.95, ISBN: 0-312-03471-7)
story, Harlan Ellison; art & cover, Richard Corben;
afterword, Harlan Ellison- “After Vic and Blood, Some Afterthoughts As Afterwords”
Issue 1, October 1987, Mad Dog ($2.00)
adaptation, Harlan Ellison; art & cover, Richard Corben;
lettering, Diane Valentino; logo, Diane Valentino & Kevin Nowlan; editor, Jan Strnad
Issue 2, February 1988, Mad Dog ($2.00)
story, Harlan Ellison; art & cover, Richard Corben;
lettering, Diane Valentino; logo, Diane Valentino & Kevin Nowlan; editor, Jan Strnad
2003, iBooks / Edgeworks Abbey ($17.95, ISBN: 0-7434-5903-2)
story, Harlan Ellison; art and cover, Richard Corben;
project editor, Howard Zimmerman; cover and interior design, Dean Motter
foreword, Harlan Ellison, “Latest Breaking News: The Kid and the Pooch”
1993, Kitchen Sink Press ($14.95, ISBN: 0-87816-233-X)
foreword, Harlan Ellison, “The Man On The Pterodactyl”
editor, Randy & Jean-Marc Lofficier; cover, Jean “Moebius” Giraud
A collection of art inspired by Jean “Moebius” Giraud’s character Arzach. Includes work by Sergio Aragonés, Mark Bodé, Jim Steranko, Michael Zuli, Gahan Wilson, Mike Mignola, David Mazzucchelli, Kent Williams, and many more.
1975, Pyramid Books / Byron Preiss Visual Publications ($1.50, ISBN: 0-515-03746-X)
editor, Byron Preiss; cover, Jim Steranko
story, Harlan Ellison; illustrations, Neal Adams
Issue 1, 1992, Millennium ($4.95)
adaptation, Faye Perovich; art, Kelly Jones; color, Melissa Martin; cover, John Bolton
Issue 97, September 1999, Wizard Press
Rather pitiful interview that even Ellison seems annoyed by. Discusses Ellison’s views on comics, history with Star Trek, and a few future projects.
1996, Wizard Press
introduction, Harlan Ellison
[unconfirmed]
1998(?), Wizard Press
introduction, Harlan Ellison
[unconfirmed]