Limited Edition Print (200 copies)

art, Frank Miller

Signed/numbered print given out at a July 12,1986 Roast in Los Angeles.

(more…)

Issue 4, October 1978, Warren Publishing

“Mondo Megillah”

writer, “Alabaster Redzone” [unauthorized adaptation of “A Boy And His Dog”];
art, Alex Nino

(more…)

Issue 27, May-June 1991, Absolute Entertainment Inc.

“Darkness Upon The Face of The Deep”

story, Harlan Ellison; illustrations/cover, Paul Chadwick

About

Artist Chadwick provides two paintings for Ellison’s story, one of which is also used as the cover. These two paintings were included in FPG’s 1995 Paul Chadwick trading card set.

Issue 479, March 1981, DC Comics ($0.50)

“Dial H For Hero: As The Silver Fog Rolls In”

writer, Marv Wolfman; art, Carmine Infantino & Dennis Jensen;
cover, Carmine Infantino & Bob Smith;

Silver Fog, created by Harlan Ellison

(more…)

Insight Studio Group, July 2003 ($34.95, ISBN: 1-889317-17-9)

editor, Mark Wheatley; introduction, Frank Cho; cover, Al Williamson

“Along The Scenic Route”

story, Harlan Ellison; art, Al Williamson; art assist, Carlos Garzon;

(more…)

original Publishing unknown

“Comic of the Absurd”

writer, Harlan Ellison

About

Nine page essay on the comic art and writing of George Carlson, creator of the 1940’s comic Jingle Jangle Tales

Reprints

• All In Color For A Dime, including the “Comic of the Absurd” essay, were reprinted in All In Color For A Dime, 1998, Krause Publications
• “Comic of the Absurd” later appeared, in Harlan Ellison’s Hornbook, 1990; and Edgeworks 3, 1997

1998, Krause Publications

“Comic of the Absurd”

editors, Don Thompson and Dick Lupoff

About

Nine page essay on the comic art and writing of George Carlson, creator of the 1940’s comic “Jingle Jangle Tales”

Reprints

• All In Color For A Dime, including the “Comic of the Absurd” essay, originally appeared in [publication information unknown]
• “Comic of the Absurd” also appeared, in Harlan Ellison’s Hornbook, 1990; and Edgeworks 3, 1997

Vol. 3, Issue 31, December 2003, TwoMorrows Publishing

“Ellison Marvel-Land”

Ten page article reprinting Ellison’s original stories that became his Avengers and Hulk comics for Marvel in the ’70s. Features historical background by editor Roy Thomas.

Issue 44, April 1, 1984, Fantagraphics Books

“Two Men Without Fear: Harlan Ellison Meets Daredevil”

writer, Bob Sodaro

Feature article on Daredevil #208, including interviews with Harlan Ellison and Arthur Byron Cover.

“The Ellison Comics Connection”

writer, Kim Thompson

Brief feature on other comic book stories by and adaptations of Harlan Ellison.

Issue 62, January 1, 1985, Fantagraphics

"The Vegenauts"

writer, Heidi MacDonald

Fake comic announcement in Amazing Heroes annual preview issue.

(more…)

Originally planned: late nineties [1998/99(?)], DC Comics

writer, Harlan Ellison and Peter David; art, unknown

After he left Aquaman, writer Peter David mentioned that he and Harlan Ellison had talked about writing a storyline involving the Jack Kirby created Fourth World characters “Deep Six.” The story never got to an art or solicitation stage.

Volume Two, September 1977, The Morning Star Press/Ballantine Books ($6.95, ISBN: 0-345-27319-2)

editor, Thomas Durwood; publisher, Armand Eisen; designer, Bruce Jones; cover, Frank Frazetta

“Eggsucker”

story, Harlan Ellison; illustrations, Richard Corben

About

An illustrated version of the “Vic and Blood” story “Eggsucker” featuring two original illustrations by later Vic and Blood artist Richard Corben. The illustrations later appeared in Vic and Blood: The Continuing Adventures of A Boy and his Dog (iBooks, 2003).

Ariel #2 also features illustrated stories and artwork by Ray Bradbury, Edgar Allen Poe, Ursula Le Guin, Michael Morcock, Frank Frazetta, Bruce Jones, Jeff Jones, and others.

See Also

• Ariel: The Book of Fantasy #3
• Vic And Blood (NBM, 1989)
  
• Vic and Blood #1 (Mad Dog, 1987)
• Vic and Blood #2 (Mad Dog, 1988)
• Vic and Blood: The Continuing Adventures of A Boy and his Dog

Click Here to visit the Ariel #2 Art Gallery

Volume Three, April 1978, Ariel Books/Ballantine Books ($6.95, ISBN: 0-345-27617-5)

editor, Thomas Durwood; editorial consultant, Armand Eisen; associate editor, Bruce Jones; cover, Barry Windsor-Smith

“Along The Scenic Route”

story, Harlan Ellison;
art, Al Williamson; art assist, Carlos Garzon

(more…)

Volume 1 Issue 101, July 1972, Marvel Comics ($0.20)

“Five Dooms To Save Tomorrow”

story/plot, Harlan Ellison; adaptation/script, Roy Thomas;
pencils, Rich Buckler; inks, Dan Adkins;
letters, Jon Costa; cover, Rich Buckler & Frank Giacoia
“Based on an original story ©1964 Harlan Ellison”

(more…)

Volume 1 Issue 88, May 1971, Marvel Comics ($0.15)

“The Summons of Psyklop (In The Grip of Psyklop, part 1)”

story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney;
letters, Shelly Lefreman;
cover, Sal Buscema and Jim Mooney

(more…)

Issue 237, 1971, DC Comics

"Night of the Reaper"

story, Denny O’Neil; art, Neal Adams and Dick Giordano;
"From an idea by Berni Wrightson with an assist from Harlan Ellison"

(more…)

1992, Topps

About

Essay was severely edited from a page down to a paragraph because of an attack on DC Comics and their attitude towards creator rights. Essay was later reprinted in the Comic Buyer’s Guide.

2002, DC Comics (Hardcover Edition, $39.95, ISBN: 1-56389-828-4)

editor-collected edition, Nick J. Napolitano and Scott Nybakken; cover, Mike Mignola

“Funny Money”

story, Harlan Ellison; art, Gene Ha;
letters, Ken Lopez; editor-original series, Mark Chiarello and Valerie D’Orazio

(more…)

Issue 13, March 2001, DC Comics ($2.50)

“Funny Money”

story, Harlan Ellison; art, Gene Ha;
letters, Ken Lopez; editor, Mark Chiarello

Batman: Gotham Knights #13
editors, Matt Idelson & Bob Schreck; cover, Durwin Talon

(more…)

Book 4, 1986, DC Comics ($2.95)

“The Dark Knight Falls”

writer/artist, Frank Miller; inks, Klaus Janson;
color & visual effects, Lynn Varley; letters, John Costanza;
editors, Dick Giordano & Denny O’Neil

Harlan Ellison appears off-panel on pages 13-14 as an on-air guest during television coverage of a nuclear attack on Gotham.

(more…)

1991, Underwood Miller

editor, Christopher Zavisa; cover, Bernie Wrightson

“Introduction”

writer, Harlan Ellison

About

Retrospective on the comic art and illustration work of Bernie Wrightson.

1994, Comic Buyer’s Guide ($14.95, ISBN: 0-87341-286-9)

introduction, Harlan Ellison

essays by Peter David;
cover, Neil Gaiman; edited, Myra & Peter David

About

Collection of essays by Peter David, “Writer of Stuff,” and founder of the Friends of Ellison.

year unknown, Matrix Books

introduction, Harlan Ellison

editor, John Bell; cover, Ken Steacy

About

Price Guide and Bibliography of Canadian produced comic books.

Issue 1, 1972, Marvel Comics

editor, Roy Thomas; cover, Gil Kane and Tom Palmer [un-credited]

“Delusions For A Dragon Slayer”

writer, Gerry Conway; art, Syd Shores

(more…)

Vol. 1, Issue 23, December 2002, TwoMorrows Publishing

“Hell-Raisin’ Harlan Ellison”

Fifteen page interview with Ellison, covering his history writing and reading comics.

Issue 3, Summer 1998, Profiles

“Neal Adams: Supporting Interview”

Five page interview in Neal Adams issue. Interview covers Ellison’s various collaborations with Adams including “Rock God,” “Cordwainer Bird,” and “Crazy As A Soup Sandwich.”

Issue 1115, March 31, 1995, Krause Publications

interview, Maggie Thompson

Part 2 of 3 part interview promoting that ran through Hero Illustrated #21, Comic Buyer’s Guide #1115, and Sci-Fi Universe #7 promoting the launch of Harlan Ellison’s Dream Corridor.

July 7, 1989, Krause Publications

Review of Batman movie reprinted from Ellison’s Fantasy & Science Fiction column “Watching”

Issue 103, Fantagraphics Books

Conversation between Stan Lee & Ellison

Issue 115, Fantagraphics Books

Coverage of Journal/Harlan Ellison vs. Michael Fleisher trial featuring transcripts of testimonies by Ellison, Jim Shooter, and Gary Groth.

Issue 53, Fantagraphics Books
Issue 57, Fantagraphics Books
Issue 65, Fantagraphics Books

Interviews with Harlan Ellison

Issues 80,83,84,90, and others, Fantagraphics Books

Various issues of The Comics Journal feature essays and columns by Ellison, mostly reprints of the “Watching” column.

Issue 1, October 1973, Marvel Comics ($0.40)

“The Future! Or What’s Left Of It!

“Breaking & Entering Pandora’s Box: a few crazinesses about the future”

essay, Harlan Ellison; illustration, Basil Wolverton;
executive editor, Roy Thomas; editor, Marv Wolfman

An illustrated, humorous essay.

(more…)

Issue 5, July, 1974, Marvel Comics

“The Starloose!”

writer, Steve Gerber; artist, Robert Graysmith;
editor, Marv Wolfman; exectuve editor, Roy Thomas

Parody of the Harlan Ellison created television series The Starlost.

(more…)

Issue 32, 1970, Warren Publishing

“Rock God”

story, Harlan Ellison; art, Neal Adams; cover, Frank Frazetta

Story based on the cover by Frank Frazetta

(more…)

Vol. 1/Issue 208, July 1984, Marvel Comics ($0.60)

“The Deadliest Night of My Life”

story, Harlan Ellison & Arthur Byron Cover;
pencils, David Mazzuchelli; inks, Danny Bulandi;
colors, Christie Scheele; letters, Joe Rosen;
editor, Bob Budiansky; cover, David Mazzuchelli & Bob Wiacek

(more…)

(more…)

Issue 66, September 1992, Dark Horse Comics ($2.25)

“Byrdland’s Secret”

writer/artist/cover artist, Paul Chadwick; art assist, Jed Hotchkiss;
lettering, Bill Spicer; editor, Randy Stradley

Concrete story which takes place at the Ellison Wonderland-like home of “Dwayne Byrd,” an Ellison homage.

(more…)

Issue 2, August 1987, Malibu Comics ($1.95)

“Night Vision”

writer, R.A. Jones; art/cover, Butch Burcham; letters, Debbie Burcha

Ellison appears as himself, a friend to the main character.

(more…)

DC Comics, October 2004 ($2.50)

“Secret Behind The Stolen Super-Weapons”

story, Harlan Ellison; adaptation, Peter David;
art, Joe Giella; color, Steve Buccellato; letters, Rob Leigh; cover, José Luis Garcia-Lopez;
editor, Matt Idelson; associate editor, Nachie Castro

(more…)

Issue 11, June 1987, Kitchen Sink Press

Features a one page text piece/review on the back cover by Ellison. [unconfirmed]

Science Fiction Graphic Novel #5, DC Comics, 1987 ($5.95)

art and adaptation, Marshal Rogers;
coloring, Chris Goldberg, Rene Reynolds, and Marshal Rogers; lettering, Todd Klein; editor, Julius Schwartz

(more…)

Issue 567, October 1986, DC Comics ($0.75)

“The Night of Thanks But No Thanks”

story, Harlan Ellison; pencils, Gene Colan; inks, Bob Smith;
colors, Adrienne Roy; letters, John Costanza;
“Edited by Harlan’s chum Len Wein”; cover, Klaus Janson

(more…)

Issue 598, March 1989, DC Comics

Batman Tribute

writer, Harlan Ellison; art, Todd McFarlane

About

A brief text tribute by HE celebrating Batman’s 50th Anniversary, illustrated by the cover to Batman #423. Similar tributes appeared in Detective Comics #598-600 by a variety of comic artists and writers, and other non-comics figures such as Terry Gilliam, Thomas M. Disch, Eric Van Lustbader, Samuel R. Delaney, and Penn & Teller.

Originally planned: circa 2000, Marvel Comics

story, Harlan Ellison; art, John Romita, Jr.

Around the time Joe Quesada took over as Editor-in-Chief of Marvel Comics in mid-2000 there was some discussion of a possible “Dr. Strange” comic to be written by Harlan Ellison and feature art by John Romita, Jr.

(more…)

1986, First Comics

introduction, Harlan Ellison

story & art, Eric Shanower

Part of a series of original graphic novels set in Frank L. Baum’s Land of Oz by writer/artist Eric Shanower.

Issue 11, April 1982, Marvel Comics

editor, Stan Lee; consulting editor, Archie Goodwin; cover, James Fox

“Run for the Stars”

story, Harlan Ellison; art and adaptation, Ken Steacy

(more…)

Issue 4, Winter 1980, Marvel Comics

(more…)

Issue 6, June 1981, Marvel Comics

editor, Stan Lee; editorial director, Archie Goodwin; cover, Neal Adams

“Life Hutch”

story, Harlan Ellison; art and adaptation, Ken Steacy

Story is in black-and-white.

(more…)

Marvel Comics

“The Summons of Psyklop (In The Grip of Psyklop, part 1)”

story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney; original cover, Sal Buscema and Jim Mooney

“The Brute, or The Brute That Shouted Love at the Heart of the World (In The Grip of Psyklop, part 2)”

story, Harlan Ellison; adaptation, Roy Thomas;
layout, Herb Trimpe; art, Sam Grainger; original cover, Herb Trimpe

(more…)

Marvel Comics

“Five Dooms To Save Tomorrow”

story, Harlan Ellison; adaptation, Roy Thomas;
pencils, Rich Buckler; inks, Dan Adkins; original cover, Rich Buckler & Frank Giacoia

(more…)

Marvel Comics

“The Summons of Psyklop (In The Grip of Psyklop, part 1)”

story, Harlan Ellison; adaption, Roy Thomas;
pencils, Sal Buscema; inks, Jim Mooney; original cover, Sal Buscema and Jim Mooney

“The Brute, or The Brute That Shouted Love at the Heart of the World (In The Grip of Psyklop, part 2)”

story, Harlan Ellison; adaptation, Roy Thomas; layout, Herb Trimpe; art, Sam Grainger; original cover, Herb Trimpe

(more…)

Issue 3, 1999, 6 Handed Press ($2.95)

Issue 4, 1999, 6 Handed Press ($2.95)

“Heroes” / “Cypherpunk”

writer, T Campbell; art & cover, Jason Waltrip

Two issues of comic about group of Science Fiction/Fantasy/Comic Book Fans. These concern a conspiracy and murder plot at a Convention where one guest is Arlen Staranka, an acknowledge homage to Harlan Ellison.

(more…)

1989, Rip Off Press ($2.50)

introduction, Harlan Ellison, “Smokey Considerations”

editor, Mark Bode; cover, Jay Kinney

About

Benefit comic for Larry Todd, Ellison’s collaborator on The Chocolate Alphabet.

Issue 26, December 1990, Apple Comics ($2.25)

outroduction, Harlan Ellison, “Finny Friends, Adieu, Toodle-oo: An Outroduction to Fish Police”

story and art, Steve Moncuse;
letters, Clem Robbins; editor, Hilary Hughes

About

The last regular issue of Steve Moncuse’s Fish Police. Harlan Ellison also wrote introductions for the Fish Police: Hairballs (1987) collection and Marvel Comics’ reprint of Fish Police #4 (1993).

Vol. 2, Issue 4, January 1993, Marvel Comics ($1.25)

afterword, Harlan Ellison, “Baited Secrets Of The Deep”

story and art, Steve Moncuse;
letters, L. Lois Buhalis; effects, Paul Nagy; color, Tom Vincent;
editor, Diana Schutz; re-editor, David Wohl

About

The fourth issue of Marvel Comics’ reprint of Steve Moncuse’ Fish Police, published in connection with the early-’90s animated television series. The afterword, “Baited Secrets Of The Deep,” is a slightly edited version of the introduction included in The Fish Police: Hairballs (Comico, 1987), where the main story in this issue first appeared in color.

October 1987, Comico ($9.95, ISBN: 0-938965-05-0)

introduction, Harlan Ellison, “Baited Secrets Of The Deep”

story and art, Steve Moncuse; letters, L. Lois Buhalis
color, Tom Vincent; effects, Paul Nagy; editor, Diana Schutz

About

Collection of issues 1 through 4 of Fishwrap Press’ Fish Police.

Early print ads for Fish Police also featured a promotional quote from Harlan Ellison. However it turned out that the quote was actually not from Ellison, but someone who had appeared in a California Comic Shop pretending to be him and praised the book. The praise got back to Moncuse and the quote was included in the ads.

Ellison later did comment positively on the book in print, along with writing the introduction to this book, an “outroduction” for Fish Police #26 (1990), the last of the series, and an edited version of “Baited Secrets From The Deep” in Fish Police #4 (1993) the fourth issue of Marvel Comics’ reprinting of the series.

Issue 1, January 1988, Viz

introduction, Harlan Ellison

Issue 10, December 1993, Milestone Comics ($1.50)

“In Harm’s Way”

writer, Dwayne McDuffie; art, Rich Buckler & Prentis Rollins;
painted color, Jason Scott Jones (as J. Scott J.), Prentis Rollins; letters, Dave Sharpe;
cover, Denys Cowan & Jimmy Palmiotti

Introduces the character Harm. Character and story title suggested by Harlan Ellison,

(more…)

1978, Last Gasp Eco-Funnies

story, Harlan Ellison; art/cover, Larry Todd;
introduction, Harlan Ellison, “A Note On How This Story Came To Be Written”;
afterword, Larry Todd, “And A Short Afterword From The Illustrator”

(more…)

Issue 1, March 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, and Anina Bennett; logo & publication design, Cary Grazzini

front cover, Michael Whelan;
story behind the cover, “Midnight In The Sunken Cathedral: Part Two”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Rachelle Menashe; letters, Sean Konot

Other credits after the break

(more…)

Issue 2, April 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

front cover, Leo & Diane Dillon; story behind the cover, “Anywhere But Here, With Anyone But You”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot

Other credits after the break

(more…)

Issue 3, May 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

cover, Sam Raffa; story behind the cover, “Pulling Hard Time”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Matt Hollingsworth; letters, Sean Konot

Other credits after the break

(more…)

Issue 4, June 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, and Anina Bennett

cover, Jane McKenzie; story behind the cover, “Chatting With Anibus”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot

Other credits after the break

(more…)

Issue 5, August 1995, Dark Horse Comics ($2.95)

editor, Bob Schreck, Harlan Ellison, & Anina Bennett

cover, Ron Brown; story behind the cover, “The Museum On Cyclops Avenue”

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, Bernie Mireault; letters, Sean Konot

Other credits after the break

(more…)

Issue 6, September 1995, Dark Horse Comics

Solicited but canceled. The contents of this issue became Harlan Ellison’s Dream Corridor Quarterly.

(more…)

Issues 2 and beyond, 1995/96, Dark Horse Comics

No further issues were solicited beyond issue 1 of Harlan Ellison’s Dream Corridor Quarterly.

Artists, such as Paul Smith, had been mentioned, both in the press and privately, as potentially working on stories and Jan Strand mentioned on his website that he and Richard Corben would be adapting the story “The Man in the Juice Wagon.” This story would eventually see print in Harlan Ellison’s Dream Corridor Vol. 2.

February 1995, Dark Horse Comics ($4.95)

editor, Bob Schreck & Harlan Ellison; logo & book design, Richard Bruning

front cover, Stephen Hickman; back cover, Overton Loyd;
story behind the cover, “Midnight In The Sunken Cathedral: Part One”;
poster insert, Jil Bauman

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
color, James Sinclair; letters, Sean Konot

Other credits after the break

(more…)

Volume One, October 1996, Dark Horse Comics ($18.95, ISBN: 1-56971-210-7)

editors, Harlan Ellison with Bob Schreck, Anina Bennett, & Lynn Adair

front cover, Leo & Diane Dillon; inside front cover, Overton Loyd

[Framing Sequence]

story, Harlan Ellison; art, Eric Shanower;
colors, James Sinclair, Rachelle Menashe, Bernie Mireault, & Matt Hollingsworth; letters, Sean Konot

Other credits after the break

(more…)

Vol. 2, March 2007, An Edgeworks Abbey offering in association with Dark Horse Books ($19.95, ISBN: 1-59307-494-8)

front cover, Brian Bolland; based on a photo by Christer Akerberg/Sweden
editor, Diana Schutz; assistant editor, Dave Marshall

Interstitial Framing Sequences

“created and written by,” Harlan Ellison; art, Eric Shanower;
color, Dan Jackson; lettering, Sean Konot and Comicraft

Other credits after the break

(more…)

Issue 1, July 1996, Dark Horse Comics ($5.95, ISBN: 1-56971-169-0)
[aka Harlan Ellison’s Dream Quarterly Vol. 2, No. 1]

editor, Harlan Ellison, with Bob Schreck, Anina Bennett, and Diana Schutz; logo & book design, Cary Grazzini

cover, Terese Nielsen; story behind the cover, “The Lingering Smell of Woodsmoke”

Interstitial Framing Sequences

story, Harlan Ellison; art, Eric Shanower
color, Bernie Mireault; letters, Richard Starkings & Comicraft

Other credits after the break

(more…)

Vol. 1, Issue 8, November 1977, Metal Hurlant ($1.50)

editor, Sean Kelly, Valerie Marchant; cover, George Proctor

“How’s The Nightlife On Cissalda”

writer, Harlan Ellison; art, Tom Barber

Issue 21, March 1995, Warrior Publications

interview, Maggie Thompson

Part 1 of 3 part interview promoting that ran through Hero Illustrated #21, Comic Buyer’s Guide #1115, and Sci-Fi Universe #7 promoting the launch of Harlan Ellison’s Dream Corridor.

Issue 22, April 1995, Warrior Publications

Featured comments by Ellison on issue 3 of Dream Corridor

1985, Marvel Comics ($1.50

[Wolverine (pp 22-24)]

story, Harlan Ellison;
pencils, Frank Miller; inks, Bill Sienkiewicz;
cover, Arthur Adams

(more…)

December 1978, Baronet Books/Byron Preiss Visuals ($8.95, ISBN: 0-89437-038-3)

editor, Byron Preiss; cover, Michael Whelan; cover design, Alex Jay

introduction, Harlan Ellison, “A Word From Harlan Ellison”;
introduction, Byron Preiss

Full credits after break.

(more…)

Issue 1, 1992, Kitchen Sink Press ($3.95)

introduction, Harlan Ellison;
afterword, Neil Gaiman

cover, Rich Larson & Steve Fastner

About

A benefit book for Omaha the Cat Dancer creator Reed Waller during his fight with colon cancer. Features pin-ups and short stories by a variety of writers and artists from mainstream and underground comics. Creators donated their royalties to a fund, and Kitchen Sink matched the amount.

Volume 1 Issue 140, June 1971, Marvel Comics ($0.15)

“The Brute, or The Brute That Shouted Love at the Heart of the World (In The Grip of Psyklop, part 2)”

story, Harlan Ellison; adaptation, Roy Thomas;
layout, Herb Trimpe; art, Sam Grainger;
letters, Artie Simek; cover, Herb Trimpe

(more…)

Vol 1 Issue 286, August 1984, Marvel Comics ($0.60)

“Hero”

1982, Marvel Comics Group

cover, Bob Larkin

“The Summons of Psyklop”

story, Harlan Ellison; adaptation, Roy Thomas; pencils, Sal Buscema; inks, Jim Mooney

“The Brute That Shouted Love at the Heart of the World”

story, Harlan Ellison; adaptation, Roy Thomas; layout, Herb Trimpe; art, Sam Grainger

(more…)

Originally planned: 2003, DC Comics

Dr. Fate story, Harlan Ellison; art, never announced

JSA All Stars was a mini-series featuring the modern-day incarnation of the Justice Society of America. Each issue featured a main story featuring one of the “legacy” characters, modern characters like Mr. Terrific who shared a name and theme with a classic, golden age character. Each issue also featured a back-up story, by a variety of writers and artists, featuring the golden age version of the character. As originally announced, Harlan Ellison would write the back-up story featuring Dr. Fate. Unfortunately, schedules did not work out and the story was assigned elsewhere.

Background

Update: October 1, 2002 — All DC Comics books, cover dated 2002, featured a news/hype page called “DC In Demand.” A rumor/future project hype column on that entiled “What’s This, You Say?”, and credited to “Your Mole at 1700”, contained the following tidbit:

I mean, I’m not supposed to talk, but… …[hints of new Elric comic series by Michael Morcock and Walter Simonson and a Dr. Fate mini-series] … Or that the JSA will heat up further in another series with contributions by Harlan Ellison, Kevin J. Anderson, Michael Chabon, and other big names?

No Further info was given at that time.

Update: October 3, 2002 — Wow. That was quick. A few days after December cover dated DC Books went on the stand with the hint of an Ellison JSA story, the project was officially announced, without Ellison’s participation. The project, entitled JSA All-Stars, is an eight-issue mini-series concerning the modern day Justice Society of America. Issues 2 through five will feature a lead story starring one of the current JSA members, along with a back-up story about that heroes golden age equivalent. These back-up stories were to feature the all-star writer line-up mentioned previously. However, Ellison was no longer able to included among that line-up. According to the internet comic book news web-site Newsarama:

And while DC and writer Harlan Ellison were ultimately unable to work scheduling on a back-up story (as mentioned this month in the publisher’s new ‘DC on Demand’ information page), DC has still lined up an impression group of writers, including as promised a Pulitzer-prize winning author making this comic book debut…

In fact, the Pulitzer-prize winning author mentioned, Michael Chabon (The Amazing Adventures of Kavalier and Clay), was the only one of the three names mentioned in the DC In Demand article that was still attached to the project. For completists sake, and because it should still be a well written and drawn mini-series if you don’t mind the modern Justice Society team, here is the announced line-up of creators [lead story creators first; then back-up creators]:

• #1 – JSA: Geoff Johns/David Goyer (w), Sal Velluto/Bob Almond (p/i)
• #2 – Mr. Terrific: Johns/Goyer, Dave Ross; Michael Chabon, Michael Lark
• #3 – Dr. Fate: Johns/Goyer, Barry Kitson; Darwyn Cooke (w/a)
• #4 – Stargirl: Johns/Goyer, Mike McKone; James Robinson, Tony Harris
• #5 – Hourman: Johns/Goyer, Adam DeCrocker; Howard Chaykin (w/a)
• #6 – Hawkgirl: Johns/Goyer, Phil Winslade; Jeph Loeb, Tim Sale
• #7 – Dr. Midnight: Johns/Goyer, Steve Sadowski; Brian Azzarello, Eduardo Rizzo
• #8 – JSA: Johns/Goyer (w), Sal Velluto, Bob Almond

No release date other than “next year” [2003] was mentioned.

Update: March 2004 — In an interview with Jon B. Cooke for Comic Book Artist #23 (Dec. 2002, TwoMorrows Publishing) HE mentioned some of his potential future comics work:

CBA: So you will occasionally continue to write comics?

Harlan: Oh, absolutely. I’m doing some right now. If I had not gotten involved in terrible, terrible, deadlines, I would have already finished a Doctor Fate I’m doing for [DC Comics editor] Peter Tomasi, that takes place back in 1940. In fact, it’s a story that takes place immediately after the banquet story in JSA Secret Files. But I was late with it, and he had to reassign it to someone else, so we have decided that we’re going to do… I can’t tell you exactly, but it will be a one-shot, killer project. A kind of dream of mine come true.

It appears that this was the story originally planned for the JSA All-Stars mini-series. No official announcements or further news has appeared since the interview.

Vol. 1, Issue 89, May 1971, DC Comics ($0.15)

“The Most Dangerous Dreams of All”

writer, Mike Friedrich; art, Dick Dillon & Joe Giella;
editor, Julie Schwartz; cover, Neal Adams

Features a television writer from Ohio named “Harlequin Ellis,” who falls in love with Black Canary and after being rebuffed by Green Arrow has a series of dreams in which he takes revenge; dreams which become real.

(more…)

September 1988, Image Comics/Homage Comics

introduction, Harlan Ellison

story, Kurt Busiek; art, Brent Anderson & Will Blyberg;
collection editor, John Layman; series editor, Jonathan Peterson; cover, Alex Ross;

About

Collection of Kurt Busiek’s Astro City Vol. 2 Issues 1-3 and 10-13, a creator-owned superhero series written by story, Kurt Busiek with art by Brent Anderson & Willie Blyberg and covers by Alex Ross.

A life-long fan of comic books, Harlan Ellison has written letters of comment, both criticism and support, to comic books over the past fifty or so years. This list is a small portion, most unconfirmed, of some of this correspondence.

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Volume 14, 19XX, Kitchen Sink Press

editor, Dennis Kitchen; cover, Al Capp;
introduction, Harlan Ellison

Reprint of Li’l Abner comic strips from the year 1948, including a number of Shmoo strips.

Issue 1, 1990, Innovation ($2.95, ISBN: 1042-1584)

introduction, Harlan Ellison, “Roses In December”

written, Scott Rockwell; art, R.T. Schneider and Scott Rockwell;
letters, Tom Addis; cover, Scott Rockwell

About

An homage to George Carlson’s Jingle Jangle Tales, which Ellison discusses in his introduction as well as in his essay in the book All In Color For A Dime.

No Release Date Announced, Marvel Knights/Marvel Comics

writer, Harlan Ellison; art, Joe Quesada (rumored); editors, Joe Quesada & Jimmy Palmiotti

Rumored Silver Surfer story to be written by Harlan Ellison. The plot had been seemingly adapted to be a Dr. Strange story, said to be illustrated by John Romita, Jr., but unfortunately that project never happened either. Because plot is out-of-date with current Marvel continuity and Romita, Jr. has announced the Dr. Strange project, this is assumed dead.

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Issue 4, 1970, Marvel Comics

“The Hulk In The Grip of Psyklop”

story, Harlan Ellison

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1993, Mark V. Ziesing Books (ISBN: 0-929380-31-7)

novella, Harlan Ellison; front cover/introduction, Frank Miller

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Issue 1, June 1988, Midnight Graffiti Publications ($4.95)

“The Function of Dream Sleep”

story, Harlan Ellison; illustration, Moebius;
editor, Jessie Horstin, James Van Hise
(more…)

Issue 1, Fall 1993, Calliope Comics

Reprint of Ellison’s 1993 address to the San Diego Comic Con

Issue 40, February 1988, DC Comics ($1.75)

“Round Holes & Square Pegs”

writer, Marv Wolfman; art, Eduardo Barreto & Romeo Thanghal;
color, Adrienne Roy; letters, Albert De Guzman;
editor, Barbara Randall; cover, Eduardo Barreto

Return appearance of Silver Fog “created” by Ellison in Adventure Comics #479

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#1, August 1994, Image Comics ($2.50)

writer/artist, Jim Valentino & Don Simpson; color, Gloria Vasquez

An appearance of a Ellison-like character as a part of a parody of the comic book industry.

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Issue 28, 1976

“Exploring Ellison”

article, Carter Scholz

Article on HE in the fanzine that would become The Comics Journal. Features two-pages of reviews & comment about Harlan Ellison.

1971, Various Editions

“The Kong Papers”

cartoons, Bill Rotsler; captions, Harlan Ellison

December 1988, Playboy Entertainment

“It Ain’t Toontown”

writer, Harlan Ellison

Essay by Ellison on comics, renamed by editors

Reprints

• “It Ain’t Toontown” later appeared, under its original title “Did Your Mother Throw Yours Out?,” as Appendix E in Harlan Ellison’s Hornbook, 1990; and Edgeworks 3, 1997

Issue 151, 1980, James Van Hise ($3.95)

“Basilisk”

art and adaptation, Bret Blevins;

“Soldier”

art and adaptation, Kerry Gammil

(more…)

Planned: 2000, DC Comics/Realworlds

“Exorcising Demons”

writers, Harlan Ellison and Peter David; art, Paul Ryan; editor, Andy Helfer

A “Superman” story that was to be part of what became a four book series examining DC heroes and their impact on the “Real World.” The book was mentioned by Ellison in several interviews and mentioned in preliminary press announcements of the series. But when the series was finally solicited over several months in 2000 the “Superman” book included was not the Ellison/David/Ryan book.

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1985, Eclipse

introduction, Harlan Ellison

story & art, Dave Stevens;
letters, Carrie Spiegle; color, Joe Chiodo with Bruce Timm, Brent Anderson, Scott Saavedra, and Jennifer Frank

1992, DC Comics/Vertigo ($29.95, ISBN: 1-56389-035-6)

introduction, Harlan Ellison

story, Neil Gaiman; art, Kelly Jones, Mike Dringenberg, Malcolm Jones III, Matt Wagner, Dick Giordano, George Pratt, and P. Craig Russell;
editor, Karen Berger; cover and design, Dave McKean

About

Introduction for the fourth collection of Neil Gaiman’s Sandman, collecting the “Seasons Of Mists” story from Sandman #21-28. Cover artist Dave McKean also creates an antique “portrait” of Harlan Ellison, along with all other creators, for the “biographies” section of the book.

Issue 68, October 1999, Image Comics ($2.50)

Megaton Man: “The Comicon On The Edge of Forever”

writer/artist, Don Simpson

A parody involving Harlan Ellison, by the artist/co-writer of normalman/Megaton Man.

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Issue 7, June 1995, HG Publications

interview, Maggie Thompson

Part 3 of 3 part interview promoting that ran through Hero Illustrated #21, Comic Buyer’s Guide #1115, and Sci-Fi Universe #7 promoting the launch of Harlan Ellison’s Dream Corridor.

Issue 7, November 1989, Marvel Comics ($1.50)

“I Have No Mouth And I Am Mean”

writer/artist, John Byrne; interior inks, Bob Wiacek;
colors, Glynis Oliver; letters, Jim Novack; editor, Bobbie Chase

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19XX, Last Gasp Eco-Funnies

About

Reprint collection of stories from Slow Death, an underground comic from the sixties and seventies, featuring art and stories by R. Crumb, Rand Holmes, Richard Corben, Gilbert Shelton, Jaxon, Greg Irons, and others.

1996, Aardwolf Publishing ($9.95, ISBN: 1-888669-01-2)

editor, Clifford Lawrence Meth & Ricia Mainhardt; cover, Gray Morrow

“Go Towards The Light”

story, Harlan Ellison; illustrations, Gray Morrow

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Issue 1 Anniversary Reprint, 1993, Mirage Press

introduction, Harlan Ellison

story & art, Kevin Eastman and Peter Laird

Issue 63, May (Spring) 1981, Fantagraphics Publishing, Inc. ($4.95)

editor, Gary Groth; assistant editor, Kim Thompson; cover, Wendy Pini

“The Other Place”

story, Harlan Ellison; illustrations, Gil Kane

Unproduced TV Pilot by Harlan Ellison, featuring three illustrations by Gil Kane.

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Ken Vida Productions

narrator, Harlan Ellison; director, Ken Vida

Ellison narrates this videotape collection of artist profiles featuring Frank Miller, Dave Sim, Steve Ditko, Jack Kirby, and others.

Originally planned: early eighties (?), Fantagraphics Books (?)

writer, Harlan Ellison; art, Michael Kaluta

Rumored Shadow graphic novel to be illustrated by classic seventies Shadow artist Michael Kaluta. Never solicited.

For more information see The Comics Journal #54, 57, 61, and 82.

Issue 3, May 1975, Marvel Comics ($1.00)

editor, Roy Thomas; associate editor, Gerry Conway; cover, Michael Whelan

“Repent Harlequin, Said the Tick-Tock Man”

adaptation, Roy Thomas; art, Alex Nino

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NBM, 1989, ($8.95, ISBN: 0-312-03471-7)

“Eggsucker” / “A Boy And His Dog” / “Run, Spot, Run”

story, Harlan Ellison; art & cover, Richard Corben;
afterword, Harlan Ellison- “After Vic and Blood, Some Afterthoughts As Afterwords”

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Issue 1, October 1987, Mad Dog ($2.00)

“Eggsucker” / “A Boy And His Dog” Part One

adaptation, Harlan Ellison; art & cover, Richard Corben;
lettering, Diane Valentino; logo, Diane Valentino & Kevin Nowlan; editor, Jan Strnad

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Issue 2, February 1988, Mad Dog ($2.00)

“A Boy And His Dog” Part Two / “Run, Spot, Run”

story, Harlan Ellison; art & cover, Richard Corben;
lettering, Diane Valentino; logo, Diane Valentino & Kevin Nowlan; editor, Jan Strnad

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2003, iBooks / Edgeworks Abbey ($17.95, ISBN: 0-7434-5903-2)

“Eggsucker” / “A Boy And His Dog” / “Run, Spot, Run”

story, Harlan Ellison; art and cover, Richard Corben;
project editor, Howard Zimmerman; cover and interior design, Dean Motter

foreword, Harlan Ellison, “Latest Breaking News: The Kid and the Pooch”

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1993, Kitchen Sink Press ($14.95, ISBN: 0-87816-233-X)

foreword, Harlan Ellison, “The Man On The Pterodactyl”

editor, Randy & Jean-Marc Lofficier; cover, Jean “Moebius” Giraud

About

A collection of art inspired by Jean “Moebius” Giraud’s character Arzach. Includes work by Sergio Aragonés, Mark Bodé, Jim Steranko, Michael Zuli, Gahan Wilson, Mike Mignola, David Mazzucchelli, Kent Williams, and many more.

1975, Pyramid Books / Byron Preiss Visual Publications ($1.50, ISBN: 0-515-03746-X)

editor, Byron Preiss; cover, Jim Steranko

“The New York Review of Bird”

story, Harlan Ellison; illustrations, Neal Adams

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Issue 24, June 1954, EC Comics ($0.15)

editor, Al Feldstein; publisher, William B. Gaines; cover, Al Feldstein

“Upheaval”

based on the story “Mealtime” by Harlan Ellison; art, Al Williamson

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Issue 1, 1992, Millennium ($4.95)

“Shattered Like A Glass Goblin”

adaptation, Faye Perovich; art, Kelly Jones; color, Melissa Martin; cover, John Bolton

(more…)

Issue 97, September 1999, Wizard Press

“The Wizard Q&A: Harlan Ellison”

Rather pitiful interview that even Ellison seems annoyed by. Discusses Ellison’s views on comics, history with Star Trek, and a few future projects.

1996, Wizard Press

introduction, Harlan Ellison

[unconfirmed]

1998(?), Wizard Press

introduction, Harlan Ellison

[unconfirmed]